Marco Joubert Videography
Photography

WHAT MAKES US HUMAN

About + contact

SYNOPSIS

 

The presence of technology in our world is ever-increasing, bringing about profound questionings. The rise of AI and the prospect of sentient machines, as well as life extension technologies, carry with them the potential to shape how humanity behaves, thinks, and lives. We are thus faced with the following philosophical consideration: a thorough reassessment of what makes us human.

STATEMENT

 

What Makes Us Human is a constellation of short reflexive works, all linked by thematic commonality, an overarching spirit of formal experimentation, as well as echoing visual and aural motifs. Typologically, the outcome of my research is a hybrid form between the essay film and expanded cinema, presented as a series of ambiguous, opaque, crossbreeding vignettes — or, cinematic aphorisms. The project also constitutes a reflection on the moving-image medium itself, exploring its multifarious syntactic and textural possibilities and qualities. I am in pursuit of a cinematic approach enabling the translation of abstract philosophical concepts into the visible, while at the same time imbuing them with sensorial and affective dimensions. I hope to achieve this through the creation of a personal, poetical, metaphorical language, which pushes the boundaries of what moving-image works can be, and do — building on the precept that new forms of media expression can intrinsically grant access to novel ways of thinking.

TECHNICAL SUMMARY

 

2022—2025 • Audiovisual essay • 62:25 • 4K video + Full HD video + 16mm film •

Black and white + color • 1.78:1 • English + French + German

CREDITS

 

Concepts, images, sounds, texts: Marco Joubert

Narration: Tatiana Braun, Rixt de Boer, Malcolm Goldstein, Angie Hart,

Mika Johnson, maya rae oppenheimer and David Peterson

Interpretation: Felicia Ghibu, Marco Joubert, Suzan Noesen and Ginette Rosato

Original music: Jeffrey Fong, Émilie Girard-Charest, Sébastien Goulet and Pamela Reimer

With support from: Fonds de recherche du Québec

DOI

https://doi.org/10.69777/332679
CV Press